Material as a catalyst for connection is the thread that unites this work. This does manifest in different forms and a variety of mediums. A major influence on the work has been sourcing, processing, and using materials. This journey started by collecting wild clay, but it has branched out into processing organic and inorganic pigments, dyes, ink, paint, paper, as well as animal products like sinew and parchment.

The effort is an essential part of the process. Materials and I are in relationship and collaboration with each other. It informs how sculptures and paintings are created. It also grounds the work to specific places and times. It is all about analyzing the systems that support us and creating ways of making that are less destructive and aware of individual impact.

Connections can be realized through the use of utilitarian ceramic ware. Vessels provide a unique type of art making where users experience forms intimately, holding them in their hands, washing them, eating, and drinking with them. This conversation with form, function, and utilizer creates an interesting opportunity to address form and function.